{"id":27,"date":"2016-01-07T17:19:03","date_gmt":"2016-01-07T17:19:03","guid":{"rendered":"http:\/\/paulocatrica.pt\/?page_id=27"},"modified":"2017-01-27T15:50:13","modified_gmt":"2017-01-27T15:50:13","slug":"books","status":"publish","type":"page","link":"https:\/\/paulocatrica.pt\/?page_id=27","title":{"rendered":"Books"},"content":{"rendered":"
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\n\t\tmonographs\t<\/h3>\n
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Liceus<\/strong><\/em>,
\nAss\u00edrio & Alvim, Lisboa, 2006, text by Ant\u00f3nio N\u00f3voa.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Memorator<\/strong><\/em>,
\nBicho do Mato,
\nLisboa 2015.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Lacaton et Vassal:
\nmode d\u2019 emploi<\/strong><\/em>
\nPierre Le Fou, Porto, 2014,
\ntexts by Jos\u00e9 Capela, Pedro Bandeira and Ivo Oliveira<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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TNSC<\/strong><\/em>
\nLeBop, Lisboa, 2011.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\tProjectos curadoria\t<\/h3>\n
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Uma Cidade de Futebol<\/strong><\/em>
\nc\/ Luisa Costa Dias, photographs Ant\u00f3nio J\u00falio Duarte, e Pedro Letria,
\nAss\u00edrio & Alvim, Lisboa, 2004
\ntexts by Miguel Amado, Paulo Catrica, Nuno Domingos, and Jos\u00e9 Monterosso Teixeira.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Miss\u00e3o Fotogr\u00e1fica Paisagem Transg\u00e9nica<\/strong><\/em>
\nc\/ Pedro Bandeira, photographs Guido Guidi, Katalin De\u00e9r, JH Engstr\u00f6m and Filip Dujardin,
\nINCM, Lisboa, 2012,
\ntexts by \u00c0lvaro Domingues, Paula Pinto and Joaquim Moreno.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\tBooks\t<\/h3>\n
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Estudos de Sociologia da Leitura em Portugal no S\u00e9c.XX<\/strong><\/em>
\nCurto, Diogo Ramada
\nFunda\u00e7\u00e3o Calouste Gulbenkian, Lisboa, 2006<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Collecting Collections
\nand Concepts,
\nan iconoclastic journey
\nthrough collections of formless things<\/strong><\/em>
\nPaulo Mendes,
\nSandra Vieira J\u00fcrgens
\nGuimar\u00e3es 2012, Porto, 2013<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Arquitecturas Recente<\/strong><\/em>s
\nOrdem dos Arquitectos – N\u00facleo de Braga, Braga 2001<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Timeframes:
\nThe Story of Photography<\/strong><\/em>
\nJeffrey, Ian
\nAmphoto Books,
\nNew York, 1998<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Lapa do Lobo<\/strong><\/em>
\nMouraz, Tito (Series Editor)
\nJos\u00e9 Pedro Cortes, Andr\u00e9 Cepeda, Tito Mouraz, Jos\u00e9 Bacelar, \u00c2ngela Berlinde
\nand Paulo Catrica
\nFunda\u00e7\u00e3o Lapa do Lobo,
\nPorto, 2013<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\tSolo exhibitions catalogues\t<\/h3>\n
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Fotografias Inglesas<\/strong><\/em>
\nPaulo Catrica
\nDirec\u00e7\u00e3o Regional da Cultura \/ Minist\u00e9rio da Cultura,
\n\u00c9vora, 1999<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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The White Room Series <\/strong><\/em>
\nPaulo Catrica
\nBirmingham Libraries and the University of Birmingham, Birmingham, 2004
\nTexts by Ian Grosvenor, Martin Lawn, Ant\u00f3nio Novoa and Paulo Catrica<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Periferias<\/strong><\/em>
\nCentro Portugu\u00eas de Fotografia, Porto, 1998
\ntexts by \u00c1lvaro Domingues, Ian Jeffrey and Teresa Siza<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Terrain Vague<\/strong><\/em>
\nPaulo Catrica
\nCentro das Artes Casa das Mudas, Lisboa, 2006
\nText by Miguel Amado<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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You Are Here<\/strong><\/em>
\nPaulo Catrica
\nCasa das Mudas – Calheta, Lisboa, 2003
\ntext by Ian Jeffrey<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\tGroup exhibitions catalogues\t<\/h3>\n
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4 Linhas, 4 Olhares<\/strong><\/em>
\nRui Prata
\nMuseu da Imagem,
\nBraga, 2004<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Gal\u00e1pagos<\/strong><\/em>
\nBergit Arends, Greg Hilty
\nCalouste Gulbenkian Foundation,
\nLondon, 2012<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Mem\u00f3rias da Cidade<\/strong><\/em>
\nEncontros de Imagem,
\nBraga, 2000
\ntexts Ian Jeffrey, Rui Prata<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Trilogia<\/strong><\/em>
\nPaulo Catrica, Mark Power and Jos\u00e9 M. Rodrigues
\nFunda\u00e7\u00e3o Eug\u00e9nio de Almeida, \u00c9vora, 2000
\ntext by Jorge Calado<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Res Publica<\/strong><\/em>
\nHelena de Freitas,
\nLeonor Nazar\u00e9
\nFunda\u00e7\u00e3o Calouste Gulbenkian, Lisboa, 2010<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Caf\u00e9 Portugal<\/strong><\/em>
\nFilipa Oliveira
\nPresid\u00eancia da R\u00e9publica, 2008<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Work \/ Trabalho<\/strong><\/em>
\nIn\u00eas Gon\u00e7alves, Augusto Br\u00e1zio, Pedro Letria, Ant\u00f3nio J\u00falio Duarte, Paulo Catrica, Joana Pimentel, Filipa C\u00e9sar, Daniel Malh\u00e3o, Nuno Ribeiro, Hugo Canoilas
\nCAV, Coimbra, 2003<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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On Side \/ Em Jogo<\/strong><\/em>
\nAmado, Albano Silva Pereira and Miguel
\nCAV, Coimbra, 2004<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Topografias
\nda Vinha e do Vinho<\/strong><\/em>
\nIn\u00eas Gon\u00e7alves, Duarte Belo, Pedro Letria, Ant\u00f3nio J\u00falio Duarte, Paulo Catrica, Jos\u00e9 Manuel Rodrigues, Luis Palma, Nuno Cera, Pedro Loureiro, Valter Vinagre
\nAss\u00edrio & Alvim, Lisboa, 2002<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Community Without Propinquity<\/strong><\/em>
\nInheritance Projects,
\nMilton Keynes, 2011<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Lugares En P\u00e9rdida<\/strong><\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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BES Photo 2005<\/strong><\/em>
\nPaulo Catrica, Ant\u00f3nio J\u00falio Duarte, Jos\u00e9 Ma\u00e7\u00e3s de Carvalho and Jos\u00e9 Lu\u00eds Neto
\nCentro Cultural de Bel\u00e9m \/ BES, Lisboa, 2006
\ntexts by Delfim Sardo, S\u00e9rgio Mah, L\u00facia Marques, David Santos and Ricardo Nicolau<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Visions of Europe 6. Internationale Fototage Herten<\/strong><\/em>
\nBarth, Hansjoachim Nierentz and Susanne
\nHerten, 2001<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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7th International
\nMonth of Photography<\/strong><\/em>
\nHellenic Centre for Photography,
\nAthens, 2000<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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18 Presidentes,
\nUm pal\u00e1cio e
\noutras coisas mais<\/strong><\/em>
\nAmado, Miguel
\nPresid\u00eancia da Republica, Lisboa, 2008<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\tOthers\t<\/h3>\n
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The city is not a palimpsest : reading unmediated experiences<\/strong><\/em>
\nScopio International Photography Magazine
\nPedro Le\u00e3o Neto
\nCitysc\u00f3pio, Porto, 2011
\nVolume: II<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Incunabula<\/strong><\/em>
\nPaulo Catrica
\nMagazine: Grisu
\nGrisu, Guimar\u00e3es, 2014<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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Fotografia na Arte de ferramenta a paradigma<\/strong><\/em>
\nRicardo Nicolau (editor)
\nUlrich Loock (Series Editor)
\nP\u00fablico \/ Funda\u00e7\u00e3o de Serralves, Porto, 2006
\nVolume: 06
\ntexts by Ricardo Nicolau, David Campany, Geoffrey Batchen and Rosalind Krauss<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

monographs         Liceus, Ass\u00edrio & Alvim, Lisboa, 2006, text by Ant\u00f3nio N\u00f3voa.         Memorator, Bicho do Mato, Lisboa 2015.       Lacaton et Vassal: mode d\u2019 emploi Pierre Le Fou, Porto, 2014, texts by Jos\u00e9 Capela, Pedro Bandeira and Ivo Oliveira         TNSC LeBop, Lisboa, …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-builder.php","meta":[],"_links":{"self":[{"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/pages\/27"}],"collection":[{"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27"}],"version-history":[{"count":177,"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":1828,"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=\/wp\/v2\/pages\/27\/revisions\/1828"}],"wp:attachment":[{"href":"https:\/\/paulocatrica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}